90s Hits of Kumar Sanu Songs: 90s Hits of Kumar Sanu MP3
Kumar Sanu Songs Download: Kumar Sanu Hit MP3 New Songs
Kumar Sanu: Music labels not the most important nowadays
Kumar Sanu - 1650+ songs sung by the singer - Page 1 of 169
kumar sanu in hindi
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A full course in Hindi music. Find your tastemaker with my Ghee playlist . Contains the hits of Kishore Kumar, Shreya Ghoshal, KK, Arijit Singh, Kumar Sanu, Udit Narayan, Alka Yagnik
CONFIRMED List Of Bigg Boss 14 Participants REVEALED
Neha Sharma (Actor and model): Neha Sharma, who made her Hindi film debut with the Emraan Hashmi starrer Crook, has reportedly signed on the dotted lines to enter the house. It has been quite some time the audience has seen her on the big screen. She was last seen in a music video with Bigg Boss 13 winner Siddharth Shukla.
Eijaz Khan (TV and Film Actor):
Naina Singh (Popular Soap)
Kumar Janu (Son of Kumar Sanu):
Famous music composesinger Kumar Sanu’s son Kumar Janu is all set to make his name by entering the house. According to reports, the makers were keen on getting Aditya Narayan on board this year too. However, the singer declined the offer and Kumar Janu replaced him.
Pavitra Punia (Actress):
Jasmin Bhasin (Actress): Naagin 4 actress and Instagram Fashionista Jasmin Bhasin, who was recently seen in Khatron Ke Khiladi -Made In India, will also be participating in the controversial show this year.
Sneha Ullal (Actress): Remember the ‘Lucky’ girl who looked like Aishwarya Rai doppelganger and featured opposite Salman Khan? She has been away from the limelight for quite several years and now will finally be making a comeback on the show this season.
The Article Sonu Nigam was talking about - Amaal Malik, Jubin Nautiyal, Sachet Tandon, Rochak Kohli and others react to Sonu Nigam's claims about 'nepotism' in the music industry.
The news of Sushant Singh Rajput's untimely death has left everyone in shock. Post his demise, the nepotism debate came into the limelight on social media. Amid the debate, singer Sonu Nigam made some shocking allegations in a video. He talked about growing nepotism in the music industry. Captioning the video, "You might soon hear about suicides in the music industry," the singer went on to claim that "it's very difficult for the new kids, very difficult... I speak to every one of them. They are troubled that the producer wants to work with them, the director wants to work, even the music composer wants to work with them but the music company will say: 'This is not our artiste'." He also alleged that the music industry is controlled by two mafias, without naming anyone. During a conversation with a leading news channel, several talents from the music industry - number of singers, composers and lyricists - took the nepotism debate head-on and shared their opinion on the same. While they were quizzed about their point of view, all six of the talents on the panel - Amaal Malik, Sachet Tandon, Jubin Nautiyal, Rochak Kohli, Manoj Muntashir and Rashmi Virag - challenged Sonu's views and shared a common notion - that while nepotism might be prevalent in the film industry, the music industry is purely based on talent, merit and luck. Sonu has alleged that several times, singers are called in to sing a song, only to be told that their version won't be used in the film. Music director Rochak Kohli addressed the accusation and reasoned, "When I approach a singer for a song, I always tell them that I want to try you for this song. And we will try our best to keep your voice in the song because things change. It's not just for new singers. I also tell the same to people like Arijit (Singh), or Jubin (Nautiyal) and Sachet (Tandon). Everyone understands. Singers come up to me and tell me they want to sing maximum scratches. The singer also gets his taiyaari and his voice also reaches out to a lot of people. It's indeed a very progressive process." 'Kabir Singh' fame Sachet added, "I haven't faced it yet. I sang for another composer and it has turned out that way only. At some point in time, it happens. Rochak bhai is right. You tend to check a singer's voice to see if it goes with the song. Being a composer, you want to do justice to your composition and it's all for the film. So, it's okay." Singer Jubin Nautiyal strongly questioned Sonu's claims of prevalent favouritism and nepotism existing in the music industry and asserted, "We all have to understand one thing, there was a time when there was no Internet. But today, it's more content-driven. Nobody knows but now, even a small song from anywhere can turn out to be a huge hit. Whatever sounds best to the ear, to the whole team of people who are producing the song, is what works eventually." He further added, "You can have favourites but sometimes, when a singer or a composer comes up with a great song, you acknowledge it. You can't deny that, right? Nepotism can be one of the factors that affected the industry in the past, but today, what matters is good content, talented artists and good sound. That's what every music label, director or producer is looking for." Talking about nepotism, Amaal Malik, who happens to be from a family of musicians, shared how it's equally difficult for an industry kid to get due recognition. He discussed how being Daboo Malik's son has got him no extra favours from anyone within the industry. "First of all, with due respect to my dad, he wasn't an ace composer. He never got the success that my uncle did. So it wasn't a phone call that went and someone said, 'Please listen to my son, he is a composer'. He's obviously done his share of songs and he found his little bit of success. When Armaan sang his first song for Vishal Dadlani, he didn't know that they were making Daboo Malik's son sing. He went inside the studio when he was 10-11, sang a scratch and it went on to be part of Bhoothnath. He didn't get the opportunity because he was so and so's kid." Sharing his view Amaal added, "A lot of people have that notion that it must have been easier for me because I had the Malik tag. But I don't feel it's right. With due respect to someone like Ankit Tiwari who leaves everything at home to come and make it big here without any backing, I agree I have an advantage. I know how things work. I have seen the failures of my family members so I know how it would work and that's the only difference. I have been doing it since the age of 19 but I got my first film at 24. Even for that film, my younger brother and my mom went on a film set to meet Salman Khan. We waited for 7 hours until he could hear a CD of our work. We wanted someone to launch our music and maybe just say something if he liked it. Because the music was good, he gave us an opportunity. Speaking about the tough times, Amaal added,"I miserably failed in that film and that song didn't work despite being on such a huge scale. For one year, I had no work. I don't think anyone repeated me just like other newcomers. So it's been a 50-50 situation. It's not happened overnight for me and my brother as well. Maybe, it's even a bit tougher for people who have a name." Lyricist Manoj Muntashir also sided with Amaal and explained why the systems and structures of the music and film industry are extremely different. "The music industry is not just about Bollywood, it's beyond that. So nepotism or dynasticism exists in Bollywood and we have had several debates about that. But in the music industry, there's nothing called nepotism or dynasticism. Take singers of '90s then because if nepotism was prevalent, then only the kids of the popular singers from that generation would have ruled now, whether it's Kumar Sanu, Udit Narayan, Alka Yagnik. Then how did we have Rochak, Jubin, Sachet or even Tanishk Bagchi? They are all outsiders. If nepotism chalta, then they would not be here." Voicing his point he stated, "We, as a bunch of people, are clear testimony to the fact that nepotism doesn't exist in the music industry. In fact, we are doing a huge disservice to people and new talents by propagating fear because now, they will feel our industry is filled with tyrants and they will destroy you. Let's get it clear: there's no dictatorship, no tyranny, no anarchy, no fascism in the music industry. There's no democracy either. Democratic values don't count for great business after all." Another popular lyricist Rashmi Virag addressed a major element that he believes that along with talent and hard work, what works is the 'luck' factor. Elaborating on that, he explained, "Over here, hard work and talent are pre-requisites. But there's something which is equally important: luck. It plays a major role." Sonu, in his video, also shared how people are not paid their due. Countering that Virag added, "There's a lot of confusion regarding lyric writer and writer in the industry. Let me clarify: any good writelyric writer is making as much money as a singer is making today. Gone are those days when there were situations like these. It's a very close-knit team altogether. We are all good friends, we all work together and it's a fairly transparent set-up. Either of us does any setting. We serve the cause of a great song. The ultimate goal happens to be humara gaana kaisa banega. I have been told to change the lyric writer sometimes when we felt it didn't suit the song. I have personally recommended sometimes saying this melody requires this person, so there's a lot of transparency. There's no need for PR building among the core team." https://timesofindia.indiatimes.com/entertainment/hindi/music/news/mithoon-recalls-the-song-that-changed-his-life/articleshow/76475118.cms
RD Burman Birth Anniversary: Revisiting Top Iconic Melodies By Musical Maestro Pancham Da
From romantic songs to the foot-tapping ones, Pancham Da produced a number of beautiful melodies to the Bollywood cinema. RD Burman's music has always been considered to have a depth that cannot be expressed in words. His songs have their chords stuck in our heads even today and we bet, they will continue to rule our hearts in the generations to come. Marking the 81st birth anniversary, lets tune into some beautiful compositions by Pancham Da Bheegi Bheegi Raaton Mein: The playback song from the movie Ajnabee features late actor actor Rajesh Khanna, and the veteran Zeenat Aman. The music was directed by R.D Burman while the song is sung by Kishore Kumar and Lata Mangeshkar. link to song. O Mere Dil Ke Chain: From the 1972 film Mere Jeevan Saathi, this song features Rajesh Khanna, Tanuja. It was sung by Kishore Kumar while the music was led by Rahul Dev Burman. link to song. Roop Tera Mastana: Featuring Rajesh Khanna besides Sharmila Tagore in the movie Aradhana, this romantic song is a all time hit. link to song. Duniya Mein Logon Ko: Sung by Asha Bhosle and RD Burban, the song features Rajesh Khanna, Mumtaz, J. Om Prakash, Pandari Bai, Kanhaiyalal, Madan Puri, Jagdeep. link to song. Bachke Rehna Re Baba: This song from the 1983 movie Pukar features Amitabh Bachchan, Zeenat Aman, Randhir Kapoor in lead roles. The song is sung by R.D. Burman, Asha Bhosle, Kishore Kumar and music is given by R.D. Burman. link to song. Rim Jhim Gire Sawan R D Burman collaborated with Kishore Kumar and Lata Mangeshkar for this song from the movie Manzil (1979). Penned down by Yogesh, the song had Amitabh Bachchan and Moushumi Chatterjee dancing in the rain. link to song. Aane Wala Pal Jane Wala Hai Sung by Kishore da, Aane Wala Pal Jane Wala Hai from the 1979 movie Golmaal was written by Gulzar. The song was picturised on Amol Palekar. link to song. Aaja Piya Tohe Pyaar Doon Written by Majrooh Sultanpuri, the song was a part of the 1967 movie Baharon Ke Sapne. Sung by Lata Mangeshkar, this song was filmed on Asha Parekh and Rajesh Khanna. link to song. Humein Tumse Pyaar Kitna R D Burman created magic with this song in 1981 movie Kudrat, starring Rajesh Khanna and Hema Malini. Sung by Kishore Kumar, the song was written by Majrooh Sultanpuri. link to song. Chura Liya Hai Tumne Jo Dil Ko The 1973 movie Yaadon Ki Baarat is known for the song Chura Liya Hai Tumne Jo Dil ko, sung by Mohammed Rafi and Asha Bhosle. The song was written by Majrooh Sultanpuri, and had Zeenat Aman and Vijay Arora in the frame. link to song. Ek Ladki Ko Dekha To Aisa Laga The 1998 movie 1942: A Love Story’s hit song Ek Ladki Ko Dekha Toh was composed by Pancham Da. The song was penned down by Javed Akhtar and sung as Kumar Sanu. With Manisha Koirala and Anil Kapoor as the lead cast, the song won R D Burman his last Filmfare Award for Best Music Director. link to the song. Kya Hua Tera Wada From the 1977 movie Hum Kisise Kum Naheen, the song Kya Hua Tera Wada was widely acclaimed. The song was written by Majrooh Sultanpuri, sung by Mohd Rafi and picturised on Tariq Khan and Kajal Kiran. link to song. Kuch Toh Log Kahenge The 1972 released Amar Prem is known for its song Kuch Toh Log Kahenge, which had Rajesh Khanna singing to Sharmila Tagore. The song was composed by Pancham Da, sung by Kishore Kumar and written by Anand Bakshi. link to song. Yeh Dosti Hum Nahi Todenge The friendship anthem was composed by R D Burman for the 1975 movie Sholay. Kishore Kumar and Manna Dey gave his voice to the song, written by Anand Bakshi. The song had Dharmendra and Amitabh Bachchan in the frame. link to song. Pyaar Deewana Hota Hai Composed twice, in Hindi and in Bengali, the song was filmed in the 1970 movie Kati Patang. Lyricist Anand Bakshi wrote the Hindi lyrics for the song, which was sung by Kishore Kumar. The song had Rajesh Khanna singing the song for Asha Parekh. link to song. Tere Bina Zindagi Se Tere Bina Zindagi Se Koi Shikwa To Nahin song is from Suchitra Sen, Sanjeev Kumar’s starrer movie “Aandhi”. The song is sung by Lata Mangeshkar and Kishore Kumar and music is composed by Legend R. D. Burman while lines are penned by Gulzar. Also, Tum aa gaye ho from the same movie. Tere bina Zindagi se, Tum aa gaye ho. Edit- Dum Maro Dum- song from the 1971 film Hare Rama Hare Krishna. It was sung by Asha Bhosle. The song was picturized on Zeenat Aman. It was written by Anand Bakshi and composed by RD Burman. link to song. Gulabi Aankhen This track featuring Rajesh Khanna and Nanda is an iconic number by RD Burman. It is a famous track from the movie The Train. link to song. Yeh Shaam Mastani- From Kati Patang, filmed on Rajesh Khanna, Asha Parekh. Lyricist Anand Bakshi wrote the Hindi lyrics for the song, which was sung by Kishore Kumar. link to song. Yeh Vaada Raha - Asha Bhosle, Kishore Kumar. link to song. Ek Main aur Ek Tu - Asha Bhosle, Kishore Kumar from the movie Khel Khel Mein. link to song.
Ayushman Khurana is cis savarna incel hyper male. Read on
Some of the many roles Ayushman Khurana has played so far - sperm donor, (pretend) blind guy, man with premature ejaculation, man with premature balding, man who does strīvesha/female roleplay, man with senior-pregnancy parents, man with Kumar Sanu complex, & ofc Brahmin saviour. This is an interesting filmography. Khurana seems to have a patent interest in savarna male anxiety & the precariousness of masculinity, which should be a great counterpoint to the Akshay KumaBhaijaan hypermasculinity of the times, but it's not. Instead, there is an odd juxtaposition of impotence with disability with gender performativity, almost as if all these things have conspired to prevent the savarna (in fact many a time Brahmin) male to achieve his fullest masculine potential. In fact, Article-15 is an anomaly in this repertoire. Along with his flops, i.e. Bewakoofiyan, Hawaizaada, etc where Khurana seems to play mostly perfect guy with small conflicts in his life (haven't watched either, lol), Khurana succeeds when he messes with bodily performance... ...and when the script requires him to require an aura of masculinity. I think aura is important here; most of these films are really about recovering the aura of mardaanagi, while emphasizing the whole thing as an act, a farce that nonetheless has to be kept up because "samaaj"! *requires him to project (GAH!) So it's no wonder these films are also subtly (or as in Dream Girl overtly) misogynistic, homophobic, & casteist-classist; they are mostly caste dramas that both pillory the savarna middle class but fondly marvel at the middle classness of it all. I dont know if I'm making sense lol, but what I mean is whether it's the male-orgasm centric sexual attempts in Sarva Mangal, or sex-shaming in Badhaai Ho, or virility-pride in Aryaputra Vicky Donor, these films are affectionate towards these traits, even when it means... ... women, old people, the rest of small-town/small-urban society are treated like shit. Youthful savarna mardaanagi & puritanical sexual mores have to be just so twee in the way they always have been. And sexuality, the penis, and - if I can reduce it to its baseness - the capacity to fuck, constantly figure in this savarna male anxiety. All the physicality of being male - hairiness, body language, weight-lifting (literally the hallmark of his maleness in Dum Lagaa Ke)- are... ... actually subordinate to the desperate fear that this man from the Hindi heartland may be denied sex. It would be laughable, except it's so bloody Freudian in its simplicity and this is the formula that works for Hindi cinema. Someone mentioned these roles are incel-adjacent, but it's not quite accurate because Khurana hooks up constantly in these films. It's not the woman who is the conflict, it's consummation, and whatever connotations that has in Brahminical imaginaries of sex. Wildly interesting. Because if the happy endings (haha) of these films are about Man reaching his potential through sexual performance, the larger homosocial bonding & social approval of other men is often key to this. In a nutshell, caste-male endogamy. This is at least my hypothesis for now.
Complete Bollywood music playlist Songs that I believe popheads would particularly enjoy are denoted by an asterisk, although all of these songs are worth at least a listen :) To a Western audience, Bollywood, India’s primary Hindi music industry, can seem almost impossible to tap into. The main point of difference lies in the fact that pretty much all Bollywood music comes from movie musicals, and incredibly few artists release personal albums. Instead, think of every album as a collaboration between a team of composers, lyricists, singers, and the movie creators who work together to fit each song into a story (... with varying degrees of quality). The Fundamentals Of Indian Classical Music The principles of Indian classical music are the focal point by which Bollywood songs, especially older ones, sound different to Western ears. Indian music is based largely on melody and is built on raagas, melodic frameworks. In contrast to Western music, the focus on melody and clear tones means that the use of falsetto and vibrato are traditionally prohibited. Music Composer Teams and Lyricists Composers in Bollywood also take on the roles of producers and musical directors for a soundtrack, and are intimately involved in creating the mood of a Bollywood musical. Famous teams have specific musical signatures that identify their compositions. The most acclaimed lyricist in Bollywood is Gulzar, whose spiritual, subtly beautiful lyrics captured the imagination of his audience for over fifty years. Interesting sidenote: a lot of Bollywood music is actually not written in Hindi, but in Urdu! Urdu is mutually intelligible with Hindi, with the primary difference being its Persian influence in contrast to Hindi’s Sanskrit foundation. The beauty of its Persian loanwords have rendered Urdu the language of choice for poetic, evocative lyrics. For example: Ishq is the Urdu word for love, in contrast to Hindi’s mohabbat. Other examples are shukriya vs danyabad (thank you), dil vs hardiya (heart), izzat vs pratishta (reputation). The Golden Age of Bollywood Music Early Indian music primarily focused on the singer’s voice, with a few instrumentals providing backup, due to classical music’s focus on melody and clear tone. Early singers included Noor Jehan, Suraiya, and Talat Mahmood. However, the most iconic singers of the Golden Age of Bollywood were Lata Mangeshkar, India’s Nightingale; Asha Bhosle, her sister; Mohammed Rafi; and Kishore Kumar. These singers provided vocals to almost all popular Bollywood music for about thirty years, from the 1950s-80s.
The New Singers Mohammed Rafi died in 1980, Kishore Kumar in 1987. Lata Mangeshkar and Asha Bhosle (finally!) seemed to be getting old. This created a vacuum for new singers to enter Bollywood. In terms of male vocalists, Kumar Sanu and Udit Narayan undoubtedly made the biggest mark, holding sway over the 90s. Female-wise, Alka Yagnik shared Lata Mangeshkar’s (who in her 70s still maintained her golden voice and provided vocals for actresses 50 years younger) throne as the primary female singer of the 90s. In terms of music, lush orchestral production with emphasis on strings and flute, and rich vocal melodies were in vogue.
The Transitional Years With the end of Indian isolationism, the 2000s brought an increase in Westernization to Bollywood and, by extension, to Bollywood music. While new singers Sunidhi Chauhan, Sonu Nigam, Shaan, Sukhwinder Singh, KK, and legend-in-the-making Shreya Ghoshal were still prodigiously talented and classically trained, more music composers started leaning into Western techniques and production, often creating awkward fusions, but sometimes also creating masterpieces. The most acclaimed music composer of both the 90s and 2000s is AR Rahman, who created delicate, subtly beautiful works of musical art in both his native Tamil and Hindi. Other influential composers include Shankar-Ehsaan-Loy, Vishal-Shekhar, and Pritam.
Westernization and Remixes The 2010s brought an overt focus on Westernization (or what Bollywood thinks is Westernization) into Bollywood movies and Bollywood songs fell to a nadir especially in the latter half of the 2010s in terms of quality, vocals, and production. Remixes of famous songs from the Golden Age reached a zenith in popularity. Composers decided to take the lazy way out in creating music, often creating songs that seem like a parody of Western EDM and may seem try-hard and cringeworthy. “Rappers” like Honey Singh and Badshah became the highest paid musicians in the industry. Nevertheless, some good albums did come out especially until 2013, and a few other excellent songs come out sporadically throughout the decade. Arijit Singh is the undisputed king of male vocalists. Shreya Ghoshal maintains her imperial status throughout the decade. Neha Kakkar is the muse of overly Westernized and produced music.
Veteran Bollywood singer Kumar Sanu is of the opinion that while big music labels can play a vital role in playback singing, their support is no longer all-important in the longer run. Talking to Download Kumar Sanu Hindi Song mp3 for free (52:49). Kumar Sanu Hindi Song (72.53 MB) song and listen to another popular song on Sony Mp3 music video search engine. Lyrics, video and detailed information about 1650+ songs from Hindi films and albums, which are rendered by singer - Kumar Sanu - Page 5 of 169 Get latest Kumar Sanu news in hindi. Also Find Kumar Sanu photos and videos on India.com Kumar Sanu won the Filmfare Award for the best playback singer male for the 5 consecutive years (1990-1994). When he received the award for the fifth time, he said, I’d be happy if someone else won it the next time.” However, his statement created a huge controversy. People thought that he did not want to receive the Filmfare. As a result, it was believed that he did not get the award for Kumar Sanu, real name Kedarnath Bhattacharya, is a leading singer and music director of the Indian film music industry. Born on Oct 20, 1957 in Kolkata, he started his singing career with Tin Kanya in 1986. He father was a renowned classical singer who played an important role in blossoming his career since childhood and later his becoming a professional singer in the industry. He had his 90s Hits of Kumar Sanu is a Hindi album released on Oct 2019. 90s Hits of Kumar Sanu Album has 24 songs sung by Lata Mangeshkar, Kumar Sanu, Sadhana Sargam. Listen to all songs in high quality & download 90s Hits of Kumar Sanu songs on Gaana.com Kumar Sanu Best Old New Hindi Bollywood Songs List. Kumar Sanu is India’a leading and most prominent male playback singer of 90’s. There was a time in 90’s when no bollywood movie was complete without Kumar Sanu Songs. He completely dominated 90’s. Kumar Sanu holds the record for recording most number of songs in a day. His name is featured in Guinness Book of world record for this Kumar Sanu Biography in Hindi – पश्चिम बंगाल में जन्मे कुमार सानू भारतीय सिनेमा के एक सुपरस्टार गायक है, इनका वास्तविक नाम केदारनाथ भट्टाचार्य है। इनका जन्म 20 अक्टूबर 1957 Lyrics, video and detailed information about 1650+ songs from Hindi films and albums, which are rendered by singer - Kumar Sanu - Page 1 of 169
Best of Bollywood Kumar Sanu & Anuradha Paudwal Songs ...
Top 10 Bollywood Romantic Songs Kumar Sanu, Alka Yagnik, Udit Narayan 90's Super hit Evergreen Hindi SongsEnjoy Bollywood 90's Evergreen Songs Collection... For Kumar Sanu's Best Hindi Songs : http://bit.ly/2bcsW6MFor More Alka Yagnik's Romantic Hits : http://bit.ly/2caJW9QUnforgettable Romantic Hits : http://bit... Don't forget to Like & Share the mix if you enjoy it! Follow Top Bollywood Hindi Songs YouTube: https://goo.gl/mQp84H Subcribe: ht... FULL SONG LINK - https://www.youtube.com/watch?v=rder_VZQoyIPLZ SUBSCRIBES, LIKE, SHARE TO MORE MUSICAL UPDATES by Music Director Aryan Jaiin.....Thx to a... For More Kumar Sanu's Romantic Hits : http://bit.ly/2bcsW6MBest Of Anuradha Paudwal : http://bit.ly/2c6x4CRFor Evergreen Bollywood Hindi Songs : http://bit.l... Kumar Sanu Ke Dard Bhare Nagme : Best Bollywood Hindi Sad Songs Audio Jukebox.Songs included in this Jukebox are :-1.Song : Dil Mera Churaya Kyun - 00:00S... Kumar Sanu Hit Songs Best Of Kumar Sanu Playlist 2019 Evergreen Unforgettable Melodies Kumar Sanu Hit Songs Best Of Kumar Sanu Playlist 2019 Evergree... About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators ... ROMANTIC HITS OF KUMAR SANU & ALKA YAGNIK 90's Superhit Love Songs Evergreen Hindi Sad SongsROMANTIC HITS OF KUMAR SANU & ALKA YAGNIK 90's Superhit Lo... Best Romantic Song collection1. Tere Dar Par Sanam2. Aye ash Ki Hum 3. Tumhe Apna Banane Ki4. Kitna Pyaar Tumhe Krte Hai5. Teri Chahat Ke Deewane Hue6. Chaha...